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THE SUBJECT IS MUSIC

June 10, 2019

Let’s Discuss

Chapter 4

The Symphony

George Del Gobbo, Music Director and Conductor of the Columbus Symphony Orchestra, Photo courtesy CSO.

Things get hectic. There are many demands on our time.  Frustrations abound. What to do? George Del Gobbo has a palatable solution. The director and conductor of the Columbus Symphony Orchestra sent out a note promoting the orchestra’s upcoming season that makes a lot of sense to me. I am going to quote from it liberally.

He simply says, “You need music.” He urges us to take “a couple of hours on a regular basis and treat yourself to the sound of a wonderful orchestra playing some of the world’s greatest music.” When he says “world’s greatest music,” he is not just referring to the masters like Beethoven and Tchaikovsky  — though, he is certainly including them —  because he says, “You can expect us to have music for everyone…classical, pops, country…loud, soft, fast, slow … music that entertains…music that touches the soul … music that’s alive and begging to be heard and felt by none other than you.”

He even gives you a guarantee, saying, “We guarantee that our music will lift your spirits, soothe your soul, and inspire you to carry on.”

To me, the thing that makes it work is the live sound of a large symphony orchestra in an acoustically ideal auditorium, and that’s what you get at the Bill Heard Theater in the River Center. So, do yourself and your community a musical favor by purchasing tickets.

“Think about…music entertains, music relaxes, and music inspires.

“The Columbus Symphony Orchestra…join us and enjoy life a little more.”

For more info click this link:

Columbus Symphony Orchestra.”

 

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THE SUBJECT IS MUSIC

June 9, 2019

Let’s Discuss

Chapter 3

The Symphony

 

In my lifetime, I have seen a decline in audiences that attend symphonic concerts. Not too many years ago, when the Columbus Symphony
Orchestra performed at the 2,700 seat Three Arts Theater, formally the Royal movie and stage show theater, the theater was almost
filled for every concert. Not only were the audiences large,they were dressed well, the wearing men suits and ties and ladies in their
Sunday bests.Now, in the beautiful, state of the art almost 2,000 seat Bill Heard Theater at the River Center, there are many empty
seats. Also, many attendees just don’t bother to dress up any more. That’s certainly not because of the quality of the orchestra,
because, in my view, it is superb.

It’s true that back in the Three Arts Theater,  days there were not as many competing musical events as now. The Columbus State University Schwob School off Music offers many free concerts, some by the school’s Philharmonic Orchestra, an excellent  full-sized student symphony orchestra.  Except for Kaleidoscope, when all students in the Schwob School participate, the Philharmonic does not use the Bill Heard Theater. It performs in the much smaller Legacy Hall.  Still, I think the professional Columbus Symphony should be attracting more patrons. Hopefully, the upcoming season will draw larger crowds again.  Director George Del Gobbo makes a very good case for your participation. More on that in Chapter 4.

THE SUBJECT IS MUSIC

May 29, 2019

 Let’s Discuss

Chapter 2

The Symphony

image

Columbus Symphony in Bill Heard Theater at the River Center.

To me, the grandest form of music is the symphonic.  I don’t mean just music of the Classical and Romantic periods, but, also, pops, country and more played in the symphonic style by a large orchestra. How large? Some of Wager’s works call for orchestras with 120 musicians.  I probably started liking symphonic music when I was a young boy, because most movie music has been played by symphonic studio orchestras since the beginning of the “talkies” in the late 1920s. Fortunately, my family was a movie going family. However, an event that happened in about 1947  truly hooked me on the symphony.

When I was a 16 year old percussionist in the Jordan Vocational High School Band , I went to a concert at the 9th Street USO in Columbus, Georgia.  The Three Arts League brought the Pittsburg Symphony Orchestra under the direction of Fritz Reiner to town. I was transported when, sitting on the front row in the USO auditorium/gym, I became engulfed in the magnificent sounds of that large, wonderful orchestra. The Jordan and Columbus High bands sat on the first few rows. When someone in the Jordan band asked Director Robert M. Barr who paid for the tickets, he would only say that a rich lady did. He said she wanted to be anonymous. I always suspected that rich lady was Virginia Illeges, who was a big supporter of the Three Arts League and joined with Bob Barr to revive the Columbus Symphony Orchestra. The orchestra, founded in 1855, had gone dormant during the Civil War, then revived in 1908,  and shut down again for World War I, revived again in 1936, disbanded for World War II, but was brought back to life after World War II in 1949, the year after I graduated from Jordan, and has been active for 70 years.  Bob Barr was its first director and conductor. That role is now filled by George Del Gobbo. More on that in Chapter Three.

 

 

 

 

 

 

MOVIES – THEN AND NOW A Star is Born Part 2

April 22, 2019

Part 1, I compared the production techniques of three of the four versions of “A Star is Born.” My cliffhanger at the end was the promise that I would compare acting techniques in Part 2.

First, for folks too young to remember the movie serials, I’ll explain the term “cliffhanger.” Each chapter of the serial ended with a “cliffhanger,” which meant it would end with something terrible happening to the protagonists. You had to watch the next chapter to see how they escaped destruction.

Now, back to comparing acting styles.

In the 1937 version with Janet Gaynor and Frederick March, the acting was just a shade less than stage acting, which requires projecting not only of dialogue, but of facial expressions and gestures because audiences are at distances from the actors. In movie acting, the camera can come close so that speech and bodily expressions need to be “natural.”

What’s interesting is that in one scene a producer, defending Esther Blodgett’s screen test by noting her acting was “mild.” He pointed out that might be a good thing, that perhaps movie acting would become more “natural” in the future.

Indeed it would. That trend actually started when sound was introduced in the late 1920s. Hollywood had to start hiring stage actors who were vocally trained because many silent movie actors had heavy foreign and/or regional accents and squeaky voices. The problem with the stage actors was they were trained to project voices and bodily expressions. So, they were instructed lessen their projection.

They did, but not to the degree that would come later. The 30s acting was more realistic than the 20s, and the trend continued through each decade. Many movie historians believe the big change in the 1950s when “method” acting took hold with stars like Marlan Brando and James Dean.

Frankly, the effort to make acting totally realistic has often gone too far with actors mumbling to the point they are not understandable. I suppose the trick is to come across as being “natural” while speaking distinctly enough there to be understood.

As far as “A Star is Born” is concerned, the stars performed more naturally with each new version that I saw, it appears to me. Still, my favorite version was the 1954 version with Judy Garland and James Mason. I missed the Barbara Streisand and Kris Kristofferson version.

I know this is too long, but I didn’t want to take time to make it shorter.

6Hoyt Bray, Rob St. Clair and 4 others
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Nate Gross

Movies, Then and Now

April 3, 2019

 

Deciding on watching something new, we rented the latest version of “A Star is Born,” released in 2018, the 3rd remake. I had seen the original 1937 version with Frederick March and Janet Gaynor on TV and the 1954 version with Judy Garland and James Mason, but missed the 1976 one with Barbara Streisand and Kris Kristofferson. Of those I saw, my favorite is the 1954 version. Being 23 years old when I saw it in 1954 at a theater at Augusta, Georgia — I was serving in an Army band at Fort Gordon then — the music in it was the popular music of my youth. That’s probably one reason I liked it best.

Another would be the different shooting techniques. The 2018 version was shot in cinema verity style, which is all right for documentaries, but, for me, not in dramas. Cinema verity uses handheld unstable cameras, which makes the audience aware of the camera. Millions of feet of World War II combat films were shot by U.S. Army Signal Corps photographers using 16mm handheld cameras. Most dramatic films are shot in the direct style, which uses stable cameras with the idea being that it’s best that the audience is unaware of the camera. In the direct style, actors are instructed to never look directly at the camera lens. The 1937 and 1954 versions were shot in the direct style

How does Lady Gaga compare with Judy Garland and Janet Gaynor and Bradley Cooper with James Mason and Frederick March? Stay tuned for part two of Movies , Then and Now.

Seth, Slow Down

June 22, 2018

Seth Rudersky’s rapid-fire delivery might work in Manhattan, but it didn’t work for me and some others at the RiverCenter’s 2018-2019 Season Reveal Concert in the Bill Heard Theater last night. We simply couldn’t understand what he was saying.

The first admonition public speaking course instructors often give is “slow down.” That is especially important in a large theater, and Bill Heard seats almost 2,000. So, Seth, when you play in big auditoriums,  I think many more folks will better understand what you’re saying if you slow down.

The reveal  part of the concert, which included a video presentation, was easy to follow. The upcoming season is loaded with a large and diverse number of shows and concerts. We plan to attend a lot of them.

 

 

 

Another Way to Reduce the Cost of Healthcare

June 10, 2018

The point of the post is still topical, so I’m rerunning it. Your responses, as always, are welcomed.

Dick's World

IMG_1923 Locally grown produce on sale at Uptown Market in downtown Columbus, GA, Saturday, May 27, 2017.

It’s no secret that the cost of healthcare in the United States is highest in the world, but  overall quality is low among developed nations. The United States ranks 37th in the world according to the World Health Organization.  As you probably know,  just about all of the developed countries in the world but the United States have universal healthcare.  Certainly the top ten do. While the debate on whether to go single-payer or continue for-profit is important, there is another way to drastically reduce healthcare costs that gets very little attention.  Poor diet reportedly is a major contributor to the cost of healthcare in the United States.

This was graphically pointed out by a Harris County farmer at a Wednesday night group discussion at the Unitarian Universalist Fellowship of Columbus, Georgia.  He provided…

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Political Rewind Shows “Old Fashioned Radio” Can Still Work

June 9, 2018

Born in 1930, I have witnessed the evolution of mass broadcasting. When I was a kid, my family gathered around a large console radio in the living room to listen to dramas, comedies, live music shows,  and special events like national political conventions, things that people watch on TV now. Many of the programs featured live studio audiences. That came back to me as a friend and I  “gathered” around a radio to listen to Political Rewind on Georgia Public Broadcasting.

The show attracted a sold out audience to Legacy Hall in the River Center in Columbus. It’s usually aired from Atlanta with no studio audience. Columbus Mayor Tersea Tomlinson, who has appeared on it in Atlanta, invited GPB to bring it to Columbus. To me, that was a great idea because not only did it provide a very informative and entertains program, but because it reminded a statewide audience that Atlanta isn’t the only vibrant metro area in Georgia. The River Center competes well with any theater complex anywhere in America now.

We really enjoyed the program. Not only did it inform us politically, it was entertaining. The host Bill Nigut and the panel, State. Senator Josh McKoon, State Representative Calvin Smyre, Mayor Teresa Tomlinson, Ledger-Enquirer  reporter and columnist Chuck Williams were at the top of their articulate games. And the reactions of the large audience enhanced the experience.

If you missed it when it aired Friday afternoon, you can hear it on the GPB website. In my view, it’s definitely worth a listen.

 

 

 

 

 

 

 

 

The Varsity and Dinglewood

March 30, 2018

Amazing how two hot dog emporiums have become famous enduring institutions.

I saw where Varsity hot dogs were served to legislators for dinner at the last session of this year’s Georgia legislature. I had my first Varsity fare years ago. The Varsity opened across the highway from Georgia Tech in 1928, two years before I was born.

I enjoyed my visits to The Varsity, but frankly, I like Columbus’ Dinglewood Pharmacy hot dogs and scrambled dogs better. Not only does Dinglewood beat The Varsity in hotdogs (to my taste), but it does in longevity, also. It opened in 1918. I started enjoying their hot dogs and milkshakes in the 1930s. (I haven’t had either in years.)

The Varsity is still a drive-in. Dinglewood was also a drive-in for a while at its old location. It used an empty lot next door for drive-in service until the owners of the lot decided they didn’t like that idea. When that closed it continued “curb service ” on Wynnton Road. I know this because my “big brother” Elbert was a teen-age carhop there in, if my memory is correct, about 1940.

George Washington Warned Us

November 16, 2017

In his Farewell Address, President George Washington spoke not just to the U.S. citizens of 1796, but to  us.  John Avlon wrote in Washington’s Farewell: The Founding Father’s Warning to Future Generations that he warned us about “the forces he feared could destroy our democratic republic.” The main ones, hyper-partisanship, excessive debt, foreign wars, and foreign powers interfering in our elections alarmingly apply to the political environment we are in now, 2017. The book is an interesting read.